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Yannick Nézet Séguin conducts The Philadelphia Orchestra at Marian Anderson Hall on December 21, 2024.
Allie Ippolito
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The Philadelphia Orchestra
Join us on Sunday, April 20 at 1 p.m. on WRTI 90.1 and Monday, April 21 at 7 p.m. as The Philadelphia Orchestra in Concert brings you a complete concert performance of Handel’s Messiah from The Philadelphia Orchestra’s 2023/2024 season, with the Philadelphia Symphonic Choir and a quartet of stellar soloists.
Listen to The Philadelphia Orchestra in Concert on Demand
  • Yannick Nézet-Séguin conducts The Philadelphia Orchestra with baritone Joshua Hopkins at Marian Anderson Hall on January 9, 2025.
    Jessica Griffin
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    The Philadelphia Orchestra
    Join us on Sunday, April 13 at 1 p.m. on WRTI 90.1 as The Philadelphia Orchestra in Concert brings you Mahler's Symphony No. 9 in D major and a moving new work by Jake Heggie: Songs for Murdered Sisters, performed by baritone Joshua Hopkins with a libretto by Margaret Atwood. Yannick Nézet-Séguin conducts the program.
  • Stuttgart Radio Symphony
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    The Philadelphia Orchestra
    Join us on Sunday, April 6 at 1 p.m. on WRTI 90.1 and Monday, April 7 at 7 p.m. on WRTI HD-2 as The Philadelphia Orchestra in Concert brings you a France-focused program from the 2024/2025 season featuring Symphonie fantastique by Hector Berlioz, and the Cello Concerto written in 2008 by Guillaume Connesson, featuring soloist Gautier Capuçon.
WRTI Video of the Week
The Late Set Podcast
  • As Thanksgiving rolls around, it’s a good time to ask: what are we grateful for? Here at The Late Set, our first answer is you, our listener. So we decided to spend this holiday episode answering your questions.
  • “I’m a jazz musician first, I feel,” says Bilal. Maybe this comes as news to the many admirers who know him as an ethereal singer with a shape-shifting R&B profile, or as one of the original catalysts for neo-soul. On a compelling new album, Adjust Brightness — his first studio release in almost a decade — Bilal explores a galactic sweep of sound, making genre distinctions feel all the more irrelevant to any conversation.
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