Join us on Sunday, April 20 at 1 p.m. on WRTI 90.1 and Monday, April 21 at 7 p.m. as The Philadelphia Orchestra in Concert brings you a complete concert performance of Handel’s Messiah from The Philadelphia Orchestra’s 2023/2024 season, with the Philadelphia Symphonic Choir and a quartet of stellar soloists.
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Join us on Sunday, April 13 at 1 p.m. on WRTI 90.1 as The Philadelphia Orchestra in Concert brings you Mahler's Symphony No. 9 in D major and a moving new work by Jake Heggie: Songs for Murdered Sisters, performed by baritone Joshua Hopkins with a libretto by Margaret Atwood. Yannick Nézet-Séguin conducts the program.
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Join us on Sunday, April 6 at 1 p.m. on WRTI 90.1 and Monday, April 7 at 7 p.m. on WRTI HD-2 as The Philadelphia Orchestra in Concert brings you a France-focused program from the 2024/2025 season featuring Symphonie fantastique by Hector Berlioz, and the Cello Concerto written in 2008 by Guillaume Connesson, featuring soloist Gautier Capuçon.
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The Late Set Podcast
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For esperanza spalding, the iconic Brazilian troubadour Milton Nascimento exerts a magical influence. So it makes sense that she describes their luminous new album, Milton + esperanza, as the realization of a dream.
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What should the omnivorous young jazz mainstream sound like today? One beguiling answer can be found in the music of Julius Rodriguez, a brilliant multi-instrumentalist who just released Evergreen, his second album for Verve, which synthesizes elements of jazz, R&B, gospel, funk, even electro-pop.
WRTI News Stories
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The soprano and her pianist husband offer a deeply considered look at the human condition through seven distinct songs.
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The lauded Panamanian-American conductor Kalena Bovell is a tireless advocate for music education, and a believer in omnivorous listening. She spoke with WRTI's Meg Bragle during a recent run of 'The Anonymous Lover' with Opera Philadelphia, where she made her company debut.
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The rising harpist explores spirituals, musical ancestors and the influence of church on her new album, Take Me to the Water.
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