Credit: Jessica Griffin

How Pat Metheny's Guitar Music Became a Percussion Concerto for the Philadelphia Orchestra

A classical percussionist delivers his own take on the music of jazz guitarist Pat Metheny. WRTI’s Susan Lewis has the story of a new concerto for vibraphone and marimba, arranged by Christopher Deviney, the Philadelphia Orchestra’s principal percussionist.

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A leading contemporary conductor explores both music, and—in his free time—fragrances.  As WRTI’s Susan Lewis reports, Fabio Luisi sees many connections between music and perfume.


Falling off the podium or into the orchestra pit weren’t the occupational hazards befalling French Baroque composer Jean-Baptiste Lully - but his was no less risky. Temple University Professor Steven Zohn, an expert in Baroque music, recounts the conducting move that led to Lully’s death.

Though she was blessed with impeccable intonation, a distinctive voice, and a superb sense of timing, Ella Fitzgerald was hindered in her early years by the limitations of the repertoire she sang. It took some time, determination, and visionary collaboration for Ella to find her voice.

Big news! We’ve just launched a new classical series every Monday through Saturday night on WRTI HD-2 and our all-classical stream. It’s “Symphony at 7,” leading off with our popular Philadelphia Orchestra in Concert broadcasts every Monday night at 7 pm, plus a powerhouse lineup of orchestras and concerts Tuesday through Saturday night.

Youth and springtime are on dazzling display in this Symphony in C concert broadcast, Sunday from 4 to 6 pm on WRTI with music by Mozart, Tchaikovsky, Schubert, and Respighi.

Join us for a re-broadcast of a fabulous performance from 2015 featuring British composer, conductor, and pianist Bramwell Tovey performing in all three roles!

There's no shortage of poignant moments in I Called Him Morgan, Kasper Collin's mesmerizing new documentary about the life and death of jazz trumpeter Lee Morgan. One moment, about half an hour into the film, has stuck with me since I first saw it, lingering like an afterimage or the hook from a song.

Credit: GDLoft

J.S. Bach wrote hundreds of sacred cantatas for voices and orchestra on liturgical texts. One season in Bach’s life reveals some of the cantatas he thought would endure through generations.

Piotr Anderszewski might be one of the most revered pianists of his generation, but he's also one of the most impulsive.

In 1990, at age 21, the young Pole entered the prestigious Leeds International Piano Competition. He was nearly finished with his semi-final performance when he quit playing — just walked off the stage. He felt he wasn't good enough to continue. It was a gutsy move that actually helped launch his career.

The true story of a 19th-century swindler in New York City inspired not only an opera, but also a concerto. WRTI’s Susan Lewis has more on Bramwell Tovey’s Songs of the Paradise Saloon for trumpet and orchestra.

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Wednesdays, noon to 3 pm

Wednesdays, 9 pm to midnight

The Metropolitan Opera on WRTI

Saturdays at 1 PM

WRTI Arts Desk

A leading contemporary conductor explores both music, and—in his free time—fragrances.  As WRTI’s Susan Lewis reports, Fabio Luisi sees many connections between music and perfume.


Falling off the podium or into the orchestra pit weren’t the occupational hazards befalling French Baroque composer Jean-Baptiste Lully - but his was no less risky. Temple University Professor Steven Zohn, an expert in Baroque music, recounts the conducting move that led to Lully’s death.

Though she was blessed with impeccable intonation, a distinctive voice, and a superb sense of timing, Ella Fitzgerald was hindered in her early years by the limitations of the repertoire she sang. It took some time, determination, and visionary collaboration for Ella to find her voice.

Credit: Jessica Griffin

A classical percussionist delivers his own take on the music of jazz guitarist Pat Metheny. WRTI’s Susan Lewis has the story of  a new concerto for vibraphone and marimba, arranged by Christopher Deviney, the Philadelphia Orchestra’s principal percussionist.

Credit: GDLoft

J.S. Bach wrote hundreds of sacred cantatas for voices and orchestra on liturgical texts. One season in Bach’s life reveals some of the cantatas he thought would endure through generations.

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